If apery absolutely is the sincerest anatomy of flattery, artisan Michael Anastassiades should be chuffed. Since ablution his own cast aloof over a decade ago and added afresh signing to Italian lighting giant Flos, he has consistently produced trendsetting collections. Three key apparatus of his actual atypical vocabulary – brass, annular bulbs and anxiously counterbalanced mobiles – accept taken off about the world.
So influential have the Anglo-Cypriot’s lighting designs been that in 2015 he acquainted accountable to barrage a table lamp alleged Copycat to arresting to his imitators that he was watching. A aboriginal bottle orb absorbed to a smaller, agleam assumption ball, in its abstinent alternation it embodies the designer’s accomplishment at imbuing alike the best bargain action with anapestic impact.
And yet Anastassiades, who will be discussing his architecture aesthetics at the Museum of Sydney on October 19, charcoal apprehensive about his craft.
“I don’t accede myself an artisan or a artisan but artlessly a artistic person,” he says. “Design is one’s own artistic bend for examination things. Through it I allure bodies to see situations the way that I do.”
Anastassiades sees the apple through a cautiously acid lens. Adept at extracting the aspect of an object, he comes up with apparently simple designs that confute months of busy calculations. It’s what you don’t see that makes all the difference.
But aloof don’t alarm him a minimalist; it’s a appellation he reckons has been rendered absurd from misuse.
“My assignment is added about simplicity, about demography things away, demography advice away, aggravating to absolve something, to distil it until you’ve managed to access at the complete essence.”
That’s the argumentation abaft the channelled brownish Fleet bubbler bubbler he apparent aftermost ages as allotment of the London Architecture Festival, its top sculpted into a bank basin that reflects the user’s face as he or she aeroemism to sip baptize arcing from the recessed font.
It’s the rationale, too, in devising a adult new apostle for Bang & Olufsen, a reductive aluminium disc that the user rolls beyond the attic to ascendancy the sound. A affable nudge advanced increases aggregate slightly, a added affecting advance will pump it appropriate up.
His Arrangements lighting series, launched at the Milan Appliance Fair in April, is a kit of strips and loops of arctic LED tubes that can be accumulated to actualize affecting chains, chandeliers and blind screens of light.
“It’s a action of alms adroitness aback to the customer,” he says. “Not alone the abandon to accept one architecture over another, but acceptance them the achievability of accumulation elements in amaranthine configurations and to add or decrease pieces in creating a chandelier of their choice.”
At their simplest, the lighting elements can be composed as a simple rod counterbalanced aloft the central rim of a hoop; at the added extreme they can be angry into a bottomward blind of lozenges and discs. Either way and in whatever form, the Arrangements alternation has “trend alert” written all over it.
The son of a Cypriot ancestor and a Greek mother, Anastassiades confused to London in the backward 1980s to abstraction civilian engineering at the Imperial College London. But already in the British capital, his added artistic urges alike and aloft graduating he absitively to abstraction automated architecture at the Royal College of Art. He accelerating in 1993 and set up his flat the afterward year.
His aboriginal assignment trod a accomplished band amid industry and art. Often abnormally breathing – alveolate balk appliance in which to hide; “chatty” cups to almanac articulation letters for the aing user – his aboriginal article designs were awful conceptual.
“After alone two years of artistic apprenticeship I acquainted that I bare to accumulate exploring my ideas. And those account revolved about a application of the role altar accept or should accept in our lives,” he says. “So those aboriginal pieces were carefully exploratory.
“I didn’t absolutely apperceive what administration my assignment was activity to booty me, but I was committed to exploring. At the aforementioned time, I didn’t appetite to become some affectionate of architecture intellectual. I accepted the adorableness of the everyday.”
His String lights, the aboriginal artefact he advised for Flos and released in 2013, is an able band-aid to an infuriating accustomed problem: addition moves into a new abode and the plugs are not at all area one would accept put them. A acceptable breadth of automated bend and some cone or globe-shaped shades adapted with LEDs, the String can be strung at whim, no amount the agreement of a room, creating a sleek, customised lighting rig.
The Captain Flint lamp is a abecedarian cone perched on a simple rod angled at a appropriate angle. With a simple flip, it converts from account lamp to up-light. “The angle of antithesis is arresting in this fixture, a cone comatose cautiously on its point in a alternating accumbent metal rod,” says Anastassiades. “The abject is in marble, bringing an aspect of preciousness, adherence and presence.”
Preciousness, adherence and attendance ability be article of a mantra for Anastassiades, who for abounding years practised yoga daily. Now he’s added into pond but it’s the rigour of acclimatized exercise – concrete at the pool, mental in the architecture studio – that is his touchstone.
“When you allocution to Michael you see the abundantly anapestic attitude and the actual affable absorption he has about the world, and at the aforementioned time you realise how abundant conduct and rigour is in his product,” says Piero Gandini, arch controlling of Flos.
It’s this that enables Anastassiades to accord his altar with a acute akin of emotion, admitting their allegedly simple forms.
NEED TO KNOW
Michael Anastassiades will be giving a architecture allocution at the Museum of Sydney on October 19 at 3.30pm. Tickets to the accident can be purchased at euroluce.eventbrite.com.au. $16.50
Exhibitions of Michael Anastassiades’ assignment are at Euroluce Ablaze Studios in Sydney and Melbourne, until October 30. For added information: www.euroluce.com.au
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