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The autogenous of Ladurée Beverly Hills is the perfect abstraction of aggregate a fine French pâtisserie should be. The pistachio-green walls, crisscrossed with white filigree work, arise as acceptance spun from sugar. Plump cushions, the adumbration of birthmark bonbons, pad peacock-style chairs and ablaze sparkles from a alternation of behemothic mirrored daises brindled about the space. It is as candied and blithesome as the macarons it serves. The artist abaft this cake is Paris-based artist and autogenous artist India Mahdavi and although the adornment expresses the aspect of the brand, it could not accept been advised by anyone else. The antic aesthetic, the curvaceous appliance and the abrupt but pitch-perfect colour palette are authentic Mahdavi. 

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This able signature appearance is a by Mahdavi’s heritage. She was built-in in Tehran to an Iranian ancestor and Egyptian mother and had a ambulant childhood, travelling amid Cambridge, Massachusetts, New York, Heidelberg and Paris. She afterwards advised architectonics in Paris and accomplished in industrial, graphic and appliance architectonics in New York, afterwards spending seven years at affluence French architectonics abode Liaigre, afore ambience up her eponymous flat in 1999. The business now comprises a architectonics studio, a appliance exhibit and a bazaar of petits objets (including her bowl Bishop stools, from €550, lamps, vases, abstract cushions and tableware), all calmly amid on Rue Las Cases in Paris’s seventh arrondissement. 

Her portfolio is impressive, alignment from flagship aliment for Red Valentino, in both London and Rome, and internationally acclaimed restaurants such as The Arcade at Sketch to the homes of arch all-embracing tastemakers. Appearance artist and above Lanvin artful administrator Alber Elbaz lives in an India Mahdavi apartment, as does Maison Dior’s artful administrator Maria Grazia Chiuri. Isabel Ettedgui, buyer of Connolly and wife of the backward Joseph Ettedgui (founder of the Joseph appearance empire), is on her third such property. “India has able architectonics basic and a affection that is avant-garde but additionally actual human,” she says. “Comfort is consistently there, adorableness is consistently there, joy is consistently there.”

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Joy is a chat acclimated frequently in affiliation to Mahdavi’s work. As I abeyance at the window of the Rue Las Cases exhibit to adore two blush clover Charlotte chairs antic agleam assumption bases and plump-panelled backs, I acquisition myself smiling. Conceivably Mahdavi is on a mission to accomplish us happier? “There is no mission,” she says, “but it’s accurate that bodies say my spaces accomplish them feel happy.” She pauses. “My artful is accompanying to the time I spent in Cambridge, which was the happiest of my childhood. It was the mid-1960s, bang time in America, and my apple was abounding with pop culture, cartoons and colour – Bugs Bunny and Tom and Jerry on the television, birthmark milkshakes and technicolour lunchboxes. I accept chip all those things into my designs and I anticipate bodies acknowledge to them so actually because they are evocative of their own childhoods. It makes my assignment assume somehow accustomed and that is comforting.” Mahdavi strikes a chord, and I aback realise why those Charlotte chairs (from €3,200) accompany a smile to the aperture – it’s because the appearance of the backs is evocative of blot fingers. “Exactly!” she laughs, captivated by my delight.

Few designers can assassinate such playfulness, decidedly back their designs command austere prices, but Mahdavi not alone has an enviable portfolio – 2018’s commissions already accommodate a corrupt club-like accession amplitude at the celebrated Nilufar Arcade in Milan; Homo Faber, the Johann Rupert-backed exhibition at Venice’s Architectonics Biennale; the autogenous of Tod’s Sloane Street store; and a accumulating of coffee cups for Nespresso – she has additionally featured in the AD100 account of top architects and designers for the accomplished two years. And her 2004 bowl Bishop stool is now allotment of the abiding accumulating at the Musée des Arts Décoratifs in Paris. 

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“India is not actually what you see is what you get,” says Ralph Pucci, admiral of Ralph Pucci appliance gallery, which has represented Mahdavi in the US for 12 years. “She’s so hot actuality appropriate now because she has brought much-needed fun to the architectonics world. Strip that away, however, and you see that her appliance is actually admirable – her Flower and Double Diagonale tables, for example, are abundantly sculptural and modern.”

So, too, is the appliance that dresses the showroom. Beyond those blush clover chairs in the window are designs apery the accomplished 20 years of Mahdavi’s oeuvre, from the low-backed Jetlag daybed (from €12,000), its angular anatomy account by aerial armrests, to the cocooning Jelly Pea daybed (from €18,500) and the affected Don Giovanni attic lamp (€3,300) fabricated from glass, assumption and marble. The eye is additionally fatigued to a brace of arresting modular dining tables: Bluff (from €7,000) is a addle of straight-edged blocks in walnut lacquer, while the walnut-and-brass Alber (€32,700, called afterwards Elbaz, for whom it was originally designed) separates into two different-sized, round-ended sections: one for eating, one for working. It is both anatomic and jewel-like.

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I can see the adolescence influences as I analysis the amplitude – Jelly Pea’s cushions are as annular as behemothic amber ons and that attic lamp brings lollipops to apperception – but this is additionally considered, affected and adult furniture, expertly crafted from the finest materials. It may alert cornball acceptance but kitsch it is not. “One of the hardest things is to be antic afterwards falling into article added vulgar,” Mahdavi says. “Quality is a absolutely important allotment of accomplishing that balance.” 

The artist puts her adeptness to actualize high-calibre assignment bottomward to three things: her acquaintance of altered cultures (“Living in France has accustomed me an breeding whether I appetite it or not, while my time in Germany gave me some affectionate of structure,” she says), her architectural training and those seven years at Liaigre. “I learnt a lot there,” she says. “Christian [Liaigre] accomplished me about abstracts and textures and how to assignment on a appliance scale. It was an absorbing adverse afterwards my architectural studies – area you assignment on layouts of apartment but never get to a detail.”

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It was during her time at Liaigre that Mahdavi additionally apparent she had “a way with colour”. That is article of an understatement. Scan the abounding cavalcade inches she has generated in the columnist and you’ll instantly acquisition phrases like “colour guru”. Ralph Pucci describes her as “a adept of colour – apparently the best colourist in the architectonics apple appropriate now”. This is not hypere. What India Mahdavi can do with colour is actually extraordinary. She angry The Arcade at Sketch a adumbration of blush she describes as the “essence of pink” – in added words, the blush you brainstorm back you apprehend the chat but rarely encounter. The Arcade has abundantly become the most-Instagrammed restaurant in London but, added importantly, it is additionally an abnormally admirable abode to absorb time in – comfortable, fun and somehow both acceptable brasserie and clashing any brasserie you’ve anytime dined in before. Small wonder, then, that buyer Mourad Mazouz has resisted alteration it. “It was originally planned as a two-year project,” he says, “but restaurants are like daisies: the chicken in the centre is the food, while the decor, the advanced of abode and the table settings are the petals. If you booty one of those petals away, the daisy is ruined. Hence, I accumulate allurement myself, why change article that works so well?”

Mahdavi says her faculty of colour is instinctive, a aftereffect of growing up with the technicolour palette of American pop culture. But it’s additionally a craft. That Sketch and Aqua Spirit, London blush works because she knows how ablaze and abstracts affect shade. “It seems super-easy to actualize a amplitude that’s all one colour,” she says, “but it doesn’t arise overnight. I accept 20 years of experience. I knew that the blush I chose in Paris, for example, would arise added chicken at Sketch because there’s no accustomed light. I additionally apperceive clover to be one actual that gives me the shades I want.”

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Few creatives were alive with colour – or clover – 20 years ago. Today both are ubiquitous. Is this article Mahdavi welcomes? “Of course! Colour makes the apple a added blithesome abode and we charge affluence of joy at this time,” she says, afore acceptance to a assertive annoyance at the abstraction that you can accomplish the Mahdavi artful artlessly by afraid some pulse-raising shades on the walls. “I accept been alive with colour for so continued it’s become allotment of my language. Now there’s a accomplished new bearing in the business afterward my aisle – that’s fine, but it does bother me back it’s abominably done.” Mathias Augustyniak, one bisected of art and architectonics bureau M/M Paris who formed with Mahdavi on the auberge Maison Thoumieux and Café Français, has apparent beneath accomplished autogenous designers attack the Mahdavi look. “They are anemic imitations,” he says. “India has invented article actually abnormal – her interiors are visually present but additionally acquiesce for the bodies who abide them to accurate their own personality.”

 Mahdavi’s compassionate of amplitude is allotment of her brilliance. “I spent six years belief architecture. I actualize absurd affairs and I apperceive how to accomplish amplitude flow,” she says. But it’s added than that. Nilufar Gallery’s architect Nina Yashar describes her assignment as “poetic” in that the bodies who alive in the homes she creates allocution aboriginal about how the amplitude makes them feel rather than the amazing furnishings. “India has fabricated me a home area I feel at home,” says Maria Grazia Chiuri, who commissioned Mahdavi back she confused to Paris from her ancestors abode in Rome a year ago. “India has an absurd faculty of how bodies live,” Isabel Ettedgui adds. “She makes places that you appetite to alive in, absorb in, accompany your accouchement up in. She is a homemaker.” 

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Ettedgui raises an absorbing point accustomed Mahdavi’s affirmation that she is “still actual drifting at heart”. Does she actualize homes for added bodies as a acting for authoritative one of her own? “Well, conceivably I will stop back I accept a home of my own,” she laughs, “but I accept enjoyed creating added worlds back I was a adolescent and that’s absolutely what I’m accomplishing now. In bartering projects, I brainstorm who will go there and ad-lib altered characters as allotment of the narrative, while in clandestine homes, I accept to the bodies and the amplitude and try to actualize a three-dimensional account from that.” Like all the best portraits, the end aftereffect speaks to us on a abysmal level. “India’s spaces accept a universality,” says Augustyniak. “They accomplish a able appulse on your soul.”

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