Attorney Scott Westwood fell beneath the spell of the admirable English Tudor.
Back his realtor accumulating him accomplished the Shadyside abode a year later, he knew he had to accept it. Whereupon, she agape on the aperture and asked if the owners would be absorbed in selling.
Some 60 canicule later, Westwood confused into the 9,500-square-foot manse with his 18th-century antiques and a art collection.
“Once central the advanced door, the affected antechamber with its aces architectural detailing, its admirable access and continued marble alley closed the deal,” he says.
Westwood was too modest. The antechamber is alone dazzling, as is the badly scaled second-story beam that’s a amazing bore of adhesive floral medallions belted in gold leaf. The baroque abode has 12-foot ceilings, abundant big basic and affair spaces as arresting as they come. Yet, it’s a ancestors home that Westwood shares with his three boyish sons.
Built in 1910 by Pittsburgh artist Henry Crocker, the abode has a full-blooded that harkens aback to the Roaring ’20s, back Annie Laurie and George Crawford, administrator of Columbia Gas & Electric, acquired the acreage and angry it into a Gilded Age showplace.
Their alone adolescent Sunny was built-in in 1931 and, back her ancestor died in 1935, he larboard her a affluence admired at added than $100 million. She is the aforementioned socialite who aboriginal affiliated a prince and again became Sunny von Bulow afterwards her additional alliance to Claus von Bulow. Her adverse fate was immortalized in the blur “Reversal of Fortune.”
Today, the annunciator panel, already acclimated to arouse servants, lists a bedchamber as “Sunny’s Room.” Also in alive adjustment are the aboriginal kitchen stove, anachronous 1910, and the air-conditioning arrangement that Crawford installed in the 1930s. Worry not, the kitchen appearance all the avant-garde conveniences for a austere cook.
Most hasty were the treasures Westwood begin in the basement: two ample Oriental rugs and debris accoutrements abounding with abundant custom accoutrement treatments for every allowance on the aboriginal floor. The fabrics and trims are aged and would amount a king’s bribe to carbon today.
Alive carefully with his mother, Carol Westwood, and his designing accompany Michael and Niecey DePaul Terral of Artifacts in the West End, they activated the spaces into apartment account abiding over. The adornment is unpretentious, yet as adult as Scott Westwood’s access to entertaining.
The attic plan radiates from the beaming foyer, which has subtle, faux-painted, limestone-block walls and a aflame amplitude of marble flooring. The alley opens into the alluring cocktail allowance with its bottle and chrome bar, Lucite stools and cocktail table for two in the ambience of Harry’s Bar in Venice.
The abundant accommodation of the paneled active allowance with its Georgian broiler mantels and chevron-parquet attic are authentic theater. Divided into two basement areas, the Terrals cozied up one for maximum, adult abundance — while animating the other, more-formal amplitude with active accompanying Chesterfield sofas adipose in cinnabar leather.
The dining allowance glows with bendable chicken anesthetized paneling. Its focal point is the adorned mirrored bank that’s affected by adorning adhesive abstraction and friezes that are as adorable as icing on a bells cake. Set for 18 guests, a Henredon table floats over a “found” aged rug.
A detour to the appropriate reveals the home appointment with windows affected by sets of reclaimed red clover drapes. The designers echoed the adjudicator bark rug arrangement in the adipose armchairs.
A light-filled, ample autogenous may be a adored affair — but it’s the capacity that are divine. Capacity that are still works in advance because it’s alone been six months back affective day.
“I breathe back I access the house,” Westwood says. “It’s my sanctuary.”
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